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<channel>
	<title>DONNIE THOMAS</title>
	<atom:link href="http://www.donniethomas.com/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.donniethomas.com</link>
	<description>Professional Film, TV and Game Composer, Accomplished Pianist, Music Producer</description>
	<lastBuildDate>Fri, 05 Feb 2010 09:49:52 +0000</lastBuildDate>
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		<title>Avatar Soundtrack</title>
		<link>http://www.donniethomas.com/avatar-soundtrack/</link>
		<comments>http://www.donniethomas.com/avatar-soundtrack/#comments</comments>
		<pubDate>Fri, 05 Feb 2010 09:44:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[A Composer's Perspective]]></category>
		<category><![CDATA[Film, TV and Game Composing]]></category>
		<category><![CDATA[Film Composers]]></category>
		<category><![CDATA[Film Music]]></category>

		<guid isPermaLink="false">http://www.donniethomas.com/?p=268</guid>
		<description><![CDATA[Some say that James Horner’s score for Avatar does not stand well on it’s own apart from the film.  I felt the same way about the music while listening to the soundtrack before going to see the movie. After watching Avatar however, I had an entirely different opinion.  It is not that the ]]></description>
			<content:encoded><![CDATA[<p>Some say that James Horner’s score for Avatar does not stand well on it’s own apart from the film.  I felt the same way about the music while listening to the soundtrack before going to see the movie. After watching Avatar however, I had an entirely different opinion.  It is not that the music does not stand well on it’s own, it is simply that it is PERFECT for the Avatar experience.  Once you see this film the music really starts to make sense.<span id="more-268"></span></p>
<p>Now even when listening to the soundtrack apart from the film,  I thoroughly enjoy the experience. As a matter of fact that is the perfect word to describe the soundtrack; “an experience”. That is exactly what Avatar is. It is not merely a film, but an in-depth almost interactive experience and the music is inexplicably tied to it, a lot like the alien world in the movie is  connected to it’s inhabitants.<br />
</br><br />
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<div style="font-size: 9px; margin-top: 2px;"><a href="http://www.lala.com/song/360569449464168267" target="_blank">&#8220;You don&#8217;t dream in cryo. &#8230;&#8230;.</a></div>


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		<title>Google Books &#8211; The Free Music School</title>
		<link>http://www.donniethomas.com/google-books-the-free-music-school/</link>
		<comments>http://www.donniethomas.com/google-books-the-free-music-school/#comments</comments>
		<pubDate>Tue, 02 Feb 2010 18:43:08 +0000</pubDate>
		<dc:creator>dthomas</dc:creator>
				<category><![CDATA[Composition Techniques]]></category>
		<category><![CDATA[Musician's Resources]]></category>
		<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Composition]]></category>
		<category><![CDATA[Music Education]]></category>
		<category><![CDATA[Musicians]]></category>
		<category><![CDATA[Orchestra]]></category>

		<guid isPermaLink="false">http://www.donniethomas.com/?p=258</guid>
		<description><![CDATA[I am not sure how many musicians know about Google books, but it is a very useful tool for musicians and composers alike. I started using it almost two years ago to aid in my musical studies. To put it simply you can search through countless books on composition technique and music theory just like ]]></description>
			<content:encoded><![CDATA[<p>I am not sure how many musicians know about Google books, but it is a very useful tool for musicians and composers alike. I started using it almost two years ago to aid in my musical studies. To put it simply you can search through countless books on composition technique and music theory just like you would a typical Google search. However the results are not always accessible for free. Most books that are still in print have a link that takes you to a purchase page. But here is the secret sauce, part of the Google Books project&#8217;s initiative was to scan older books from University libraries in an effort to preserve them and make them digitally available via online search.  Books that are outside the copyright window are available for full download in .pdf format.<span id="more-258"></span></p>
<p>I have multiple out of copyright ebooks  in my collection from the Harvard School of Music.  Now you may be asking why is any of this is useful.  Well, think of it this way. Music is one of the few subjects in which the teaching methods have not changed much in the last 100 years.  Orchestration and Composition have made the most advancements with additional instruments being added to the modern orchestra, and orchestration techniques being augmented by digital media composition (midi, etc).  However the underlying principles of musical tonality, harmonic analysis, timbre, good counterpoint and musician technique are still very much the same. So a book on musical composition from say 1907 is actually quite useful if you can stomach the funny dialect that was often used back then. The same rule applies to sheet music.</p>
<p>But don&#8217;t take my word for it. Go check it out yourself be sure to check out the music books from the Harvard Library, and if anyone asks you , you can tell them that you got your musical education from Harvard.  :-)</p>
<p>P.S.</p>
<p>I was obviously joking about that last part.</p>
<p>~</p>
<p>Donnie</p>


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		<title>I am a Musician</title>
		<link>http://www.donniethomas.com/i-am-a-musician/</link>
		<comments>http://www.donniethomas.com/i-am-a-musician/#comments</comments>
		<pubDate>Sat, 23 Jan 2010 13:24:59 +0000</pubDate>
		<dc:creator>dthomas</dc:creator>
				<category><![CDATA[Inspiration]]></category>
		<category><![CDATA[Music Life]]></category>
		<category><![CDATA[Musician's Resources]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Music Career]]></category>
		<category><![CDATA[Musicians]]></category>

		<guid isPermaLink="false">http://www.donniethomas.com/?p=253</guid>
		<description><![CDATA[The above statement may seem to state the obvious and be unnecessary, particularly for a site dedicated to promoting  my music. However, through the course of my life there have been many times when I had to remind myself  of this  simple fact.  You see, I used to think that I had to be someone other ]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">The above statement may seem to state the obvious and be unnecessary, particularly for a site dedicated to promoting  my music. However, through the course of my life there have been many times when I had to remind myself  of this  simple fact.  You see, I used to think that I had to be someone other than who I am to gain the respect of my peers and make a living for myself.  Even though I grew up in a family full of extremely talented musicians, I somehow  managed to grow up with the idea that I needed a &#8220;real&#8221; job.</p>
<p style="text-align: justify;">
<p style="text-align: justify;"><span id="more-253"></span> As a child I passed up several opportunities that would have no doubt been very beneficial to my musical development, to pursue other more &#8220;stable&#8221; or lucrative goals.  Ironically, music was not my first choice as a major in college. I very seldom considered a day spent practicing and cultivating my musical talents as a productive day.Yet somehow, the deep rooted passion for music that was placed in me long before I ever had a concern for money or stability began to override the rational. Year after year, I found myself abandoning all other pursuits and giving in to my heart&#8217;s desire. Usually accompanied by disapproving friends and family members, and a ton of guilt, my inspiration led me forward with reckless abandon. Till one day I realized that I was not the rebel everyone thought I was. I was not simply refusing to be &#8220;normal&#8221;. Nor was I avoiding the usual mundane pursuits simply because I was bored with life.  I was not fighting against the &#8220;cubicle&#8221; so to speak; I was reaching for something higher; my destiny, my passion, my life&#8217;s calling.</p>
<p style="text-align: justify;">It was then that I slowly began to realize that just about every person on this planet who is considered enormously successful is doing what they love, and did not choose their career based upon their potential salary. Don&#8217;t get me wrong, money is great. Trying to live without money is like trying to fly without a plane. But I personally believe that if you work in an area that you love AND have skill, you will always produce an excellent product/service, and excellence brings you into tremendous opportunity. Now I am not recommending that every aspiring musician run off and leave their day jobs and their families to start a band.  PLEASE be more sensible than that.  But the next time someone asks you what it is that you do, before you tell them about your day job, you might want to consider raising your head and proudly proclaiming, &#8220;I am a musician!&#8221;  Much Love  ~ Donnie</p>


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		<title>Cubase 5</title>
		<link>http://www.donniethomas.com/cubase-5/</link>
		<comments>http://www.donniethomas.com/cubase-5/#comments</comments>
		<pubDate>Thu, 21 Jan 2010 13:19:13 +0000</pubDate>
		<dc:creator>dthomas</dc:creator>
				<category><![CDATA[Film, TV and Game Composing]]></category>
		<category><![CDATA[Music Technology]]></category>
		<category><![CDATA[Instruments]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Software]]></category>

		<guid isPermaLink="false">http://www.donniethomas.com/?p=244</guid>
		<description><![CDATA[I finally started using Cubase 5 and  I must say. I am very impressed with the software. Whoever came up with the idea for VST expression deserves much love. As a composer for film and other modern media, this tool is making my job exponentially easier. I even thought to myself that Steinberg must have ]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">I finally started using Cubase 5 and  I must say. I am very impressed with the software. Whoever came up with the idea for VST expression deserves much love. As a composer for film and other modern media, this tool is making my job exponentially easier. I even thought to myself that Steinberg must have had help from some of their celebrity customers, such as the well known film composer Mr. Hans Zimmer.  The product is too well thought out not to have had input from working professional musicians and composers. It&#8217;s also important to me to note that I was using Cubase long before I ever even knew who Hans Zimmer was.  So I am not simply using the software to be more like Hans.<span id="more-244"></span></p>
<p style="text-align: justify;">So if you have been waiting to upgrade to the latest version of Cubase, I think now may be a good time to do it.  Since last week, Steinberg has been offering free 30 day trial of Cubase 5 for those wanting to test the waters before making the leap. I highly recommend you check it out.</p>
<p style="text-align: justify;"><a href="http://www.steinberg.net" target="_blank">http://www.steinberg.net</a></p>


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		<title>Lounge Lizard EP 3.12</title>
		<link>http://www.donniethomas.com/lounge-lizard-ep-3-12/</link>
		<comments>http://www.donniethomas.com/lounge-lizard-ep-3-12/#comments</comments>
		<pubDate>Fri, 08 Jan 2010 09:03:52 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[VSTi Plugins]]></category>
		<category><![CDATA[Instruments]]></category>
		<category><![CDATA[Orchestral Libraries]]></category>
		<category><![CDATA[Sample Libraries]]></category>
		<category><![CDATA[Virtual Instruments]]></category>

		<guid isPermaLink="false">http://www.donniethomas.com/?p=170</guid>
		<description><![CDATA[It&#8217;s no secret that many film composers and other musicians involved in modern media have been using the advantages of technology to speed up the music production process. Not to mention save tons of money in studio time and costs.  2009 was a great year for film composers or any one else who uses virtual ]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">It&#8217;s no secret that many film composers and other musicians involved in modern media have been using the advantages of technology to speed up the music production process. Not to mention save tons of money in studio time and costs.  2009 was a great year for film composers or any one else who uses virtual instruments in their profession. We had many great product releases such as Spectrasonic&#8217;s Omnisphere and Trillian. This year promises to be equally as exciting. To start we have East West kicking off the year with the release of Hollywood Strings. The buzz on the street is that it is the &#8221;be all, end all&#8221; of orchestral libraries. But with all of the excitement about new products , I thought I would take some time to talk about a product I feel is severely underrated. That product is Applied Acoustics&#8217;s Lounge Lizard EP 3.<span id="more-170"></span></p>
<h3>No Samples</h3>
<p style="text-align: justify;">First of all the shocking thing about this plugin is that it uses absolutely no samples to generate it&#8217;s magnificent sound. The technology is based entirely upon physical modeling. This makes the load time extremely fast. It also has very little memory footprint and takes up very few processor cycles. Unless of course you are still using a Pentium III Celeron processor based workstation. Hopefully no one is that behind the curve. Secondly, the physical modeling takes away the need for velocity based switching of samples, which can sometimes cause  a less fluid feeling when playing the instrument.</p>
<h4>A True Instrument</h4>
<p style="text-align: justify;">The bottom line about this plugin is that it really has the responsiveness of an instrument. That is something that is taken for granted nowadays. Many composers and producers simply edit the heck out of there midi recordings to get a realistic sound from there performances. In this age of  multiple gigabyte sample libraries , true expression has often been made a low priority. Being a professional musician, I always look for plugins that just feel &#8220;right&#8221; when I sit down at my keyboard to play. Maybe that&#8217;s asking too much of say a horn library or something, but an electric piano emulation ought to be playable.  Anyway, that&#8217;s enough ranting for now.  Here is a short demo I created using nothing but Lounge Lizard and a little reverb.</p>
<p style="text-align: justify;"><a href="http://donniethomas.com/wp-content/uploads/2010/01/lounglizard.jpg"><img class="size-medium wp-image-220 alignleft" title="loungelizard" src="http://donniethomas.com/wp-content/uploads/2010/01/lounglizard-300x219.jpg" alt="" width="300" height="219" /></a></p>


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		<title>New CD Release Coming Soon</title>
		<link>http://www.donniethomas.com/new-cd-release-coming-soon/</link>
		<comments>http://www.donniethomas.com/new-cd-release-coming-soon/#comments</comments>
		<pubDate>Tue, 05 Jan 2010 03:32:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Upcoming Releases]]></category>
		<category><![CDATA[composer]]></category>
		<category><![CDATA[Donnie Thomas]]></category>
		<category><![CDATA[Music]]></category>

		<guid isPermaLink="false">http://www.donniethomas.com/?p=41</guid>
		<description><![CDATA[My second feature release , Effervescent , will be released on May 16th 2010, exactly one year after the release of my first major project, The Glory Sound.  Effervescent comes from the root word fervere, meaning to boil or be &#8220;white hot&#8221;. The word itself means to be lively, animated and to show exhilaration; to sparkle. It is my ]]></description>
			<content:encoded><![CDATA[<p style="text-align: justify;">My second feature release , <span style="text-decoration: underline;">Effervescent</span> , will be released on May 16th 2010, exactly one year after the release of my first major project, <span style="text-decoration: underline;">The Glory Sou</span><span style="text-decoration: underline;">nd</span>.  Effervescent comes from the root word f<em>ervere, </em>meaning to boil or be &#8220;white hot&#8221;. The word itself means to be lively, animated and to show exhilaration; to sparkle. It is my hope that the title itself will be enough to give you an idea of what this project will sound like. <span id="more-41"></span></p>
<p style="text-align: justify;"><a href="http://donniethomas.com/wp-content/uploads/2010/01/Effervescentbig1.jpg"><img class="alignright size-medium wp-image-225" title="Effervescent" src="http://donniethomas.com/wp-content/uploads/2010/01/Effervescentbig1-300x200.jpg" alt="&quot;Effervescent, My next CD Release&quot;" width="300" height="200" /></a> <span style="text-decoration: underline;">The Glory Sound</span> was recorded at my personal studio in what used to be an old warehouse space near downtown Chicago. At the time it seemed like the winter would never end, even though it was technically spring. Nonetheless, the environment in Chicago proved to be the perfect backdrop for the project and helped to set the tone for the inspiration that became <span style="text-decoration: underline;">The Glory Sound</span>.</p>
<p style="text-align: justify;">This time Texas is the place where the compositions have begun to flow. It is not nearly as cold here in the winter and there is plenty of open space to roam around. We will see how much the south will impact this project. However, I don&#8217;t suspect any country music will sneak it&#8217;s way onto the project. </p>
<p style="text-align: justify;"> ~Donnie</p>


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